Saturday, August 8, 2015

Webinar: Presentaton 3


Presentation 3  Krashen
1.     Nontarged comprehensible input
2.     The role of writing
3.     Access to books

NONTARGETED COMPREHENSIBLE INPUT: Krashen, S. 2013 The Case for Non-Targeted, Comprehensible Input. Journal of Bilingual Education Research & Instruction 15(1): 102-110. (http://www.sdkrashen.com/articles.php?cat=6)
1.     The natural order hypothesis: Should we aim at i+1?
2.     Hypothesis: Given enough comprehensible input, i+1 is covered.
3.     Problems with grammatical syllabus
a.     individual variation
b.     few learn the grammar well
c.     hard to make input interesting/compelling and comprehensible
4.     Non-targeted input:
a.     individual variation ok if input comprehensible
b.     our only goal (hard enough): comprehensible/compelling input

WRITING
Increasing writing does not incurease writing proficiency: Writing is output, not input.
Recent evidence:  Sari, R.  IJFLT 2013 8(1)  
COMPONENTS OF THE COMPOSING PROCESS
Writing makes you smarter, inspiration the result of writing, not the cause (Boice)
The CP:  strategies to use writing to solve problems, keep your place
The classical composing process
I. Revision :
Neil Simon:  “mediocre writers write, good writers  rewrite.”
Vonnegut: "Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time"
II. Flexible Planning: “experienced writers refuse to leave on a trip without a map." Murray, 1984
Good writers plan, but not always formally, are willing to change their plans
Overplanning: rigid plan – new ideas are an annoyance
III. Rereading: “I rise at first light and I start by rereading and editing everything I have written to the point I left off” (Hemingway, in Winokur, 1990, p. 247).
Jonathon Kellerman rereads  to “segue into new material” (Perry, 1999, p. 178)

IV. Delay Editing:  This draft may not be the final one!

Disturbs the flow, coming up with ideas. “Tony” (Perl, 1979): a concern with form “that actually inhibited the development of ideas. In none of his writing sessions did he ever write more than two sentences before he began to edit” (Perl, 1979, p. 324).
Peter Elbow: “Treat grammar as a matter of very late editorial correcting: never think about while you are writing. Pretend you have an editor who will fix everything for you, then don’t hire yourself for this job until the very end” (Elbow, 1973, p. 137).

Additional elements of the composing process

Incubation: "Composition is not enhanced by grim determination" (Frank Smith)
Problem-solving often requires “an interval free from conscious thought” to allow the free working of the subconscious mind (Wallas, 1926,)
Helmholz: After previous investigation, "in all directions," .. " happy ideas come unexpectedly without effort, like an inspiration ... they have never come to me when my mind was fatigued, or when I was at my working table ... They came particularly readily during the slow ascent of wooded hills on a sunny day" (Wallas, p. 91).
Tolle (1999): “All true artists, whether they know it or not, create from a place of no-mind, from inner stillness … Even the great scientists have reported that their creative breakthroughs came a a time of mental quietude” (p. 20).
Poincare (1924) there must be a "preliminary period of conscious work which also precedes all fruitful unconscious labor.”
Incubation not allowed in school writing.
Daily Regular Writing
Rosellen Brown:  writing “is a job, not a hobby" (Winokur, 1999, p. 188).
Irving Wallace: vast majority of published authos keep, some semblance of regular daily hours..." (Wallace & Pear, 1971, pp. 518-9).
WHEN is variable: Michael Chabon:10 pm-4 am, Maya Angelou 6:30 am- 12:30, 1:30.
Time keepers:  Irving Wallace (Wallace and Pear, 1971) (Flaubert, Conrad,Hemingway).
Page counters: (Updike, Bradbury); Word counters: (Haley, Wambaugh) (Murray, 1990)
Source of inspiration is writing:
Stephen King: don’t “wait for the Muse.  Your job is to make sure the muse knows where you are going to be every day from nine 'till noon or seven 'till three”
Susan Sontag: "Any productive writer learns that you can't wait for inspiration. That's the recipe for writer's block” (Brodie, 1997, p.  38),
Madeleine L’Engle: "Inspiration usually comes during work, rather than before it”
Regular writing vs binging:
Woody Allen, "If you work only three to four hours per day, you become quite productive. It's the steadiness that counts" (Murray, 1990, p. 46).
Boice (1982):  junior faculty members who had a “regular, moderate habit of writing,” compared to those who were “binge” writers  (“… more than ninety minutes of intensive, uninterrupted work)” over a six year period. The regular writers produced more than five times as much, and all got tenure or promotion. Only two binge writers got tenure.
The regular writers were more relaxed: The binge writers showed three times as many signs of "blocking":  When binge writers actually wrote, "they more commonly did nothing or very little (for example, recasting a first sentence or paragraph for an hour; staring at a blank screen).” Binge writers "were three times more likely to be rushing at their work … three times more likely to put off scheduled writing in favor of "seemingly urgent, no more important activities.”

Why DRW helps: incubation between sessions, warming up

Flaubert:  "I have the peculiarity of a camel - I find it difficult to stop once I get started and hard to start after I've been resting” (Murray, 1990) Gore Vidal: "I'm always reluctant to start work, and reluctant to stop."
If Charles Dickens missed a day of writing, "he needed a week of hard slog to get back into the flow" (Hughes, in Plimpton, 1999, p. 247).

Should we test writing?
1. writing form comes from reading
2. writing: quality of ideas = measure of creativity, hard to score
3. most time consuming, most expensive

ACCESS
If self-selected reading is so important, the big question = access to books
1. Children of poverty have very little access to books
The Beverly Hills/Watts study: (Smith, Constantino & Krashen)
(1)  Available books in the home: BH = 200; Watts = .4
(2)  Classroom libraries: BH = 400; Watts = 5
The Philadelphia study (Neuman & Celano): middle-class children "deluged" with books, high poverty have difficulty getting any access
Their only chance: the library
2. What we know about libraires
Children get their books from libraries

study
percent getting books from libraries


Gaver, 1963
30-63


Lamme, 1976
81


Ingham, 1978
72 -99


Swanton, 1984
70


Doig & Blackmore, 1995
school lib= 63; class lib = 25, public = 57


Worthy, Moorman, and Turner, 1999 High SES
school = 19; class = 3; public = 14


Worthy, Moorman, and Turner, 1999 Low SES
school = 34; class = 6; public = 14


Ivey and Broaddhus, 2001
school = 55; class = 28, public = 61


From: Krashen, S. 2004. The Power of Reading, 2nd Edition


Ages
library
bookstore
school list
6 to 11
77%
28%
21%
12 to 17
58%
38%
19%
From: Scholastic Kids and Family Reading Report, 5th Edition, 2014.
N = 2500 parents and children.

Better libraries >  better reading achievment
Keith Curry Lance: elementary schools in Colorado (eventually in other states) – more $ put into schools did not impact reading scores, unless you consider the library: more $ in libraries > better reading scores
Independent predictors: Number of books, credentialed librarian, Staffing

CAN ACCESS BALANCE THE EFFECT OF POVERTY?
Predictors of NAEP grade 4, 2007, 51 states
predictors
beta
t
P
Poverty
-0.72
7.42
0
Access
0.53
1.62
0.055
r2 = .63
Access = bks/student in school libraries, circulation in public libraries

Predictors of PIRLS:
Predictors of the reading test: PIRLS 2006
predictor
p
poverty
-0.41
0.005
independent reading in school
0.16
0.14
library: 500 books
0.35
0.005
Instruction
-0.19
0.085
r2 = .63 
Krashen, S., Lee, S.Y. and McQuillan, J. 2012. Is the library important? Multivariate studies at the national and international level. Journal of Language and Literacy Education, 8(1): 26-36.

Replication:  PIRLS 2011
Predictor
 beta
p
SES
0.52
0.01
library: 5000 bks
0.20
0.08
class libr
0.08
0.28
parent read
0.065
0.31
early lit
-0.26
0.04
Instruction
-0.016
0.5
r2 = .62

Note: Parental reading and classroom library correlated with PIRLS reading scores, but the effect disappeared in the multiple regression.
Note: Poverty and access are the main predictors of reading achievement in all studies.

Some Disturbing Data: In general, countries with high SES have high PIRLS reading scores and people (children and adults) say they like to read:  "baseline" data -
Country
HDI
parent likes
child likes
PIRLS
Hong Kong
0.898
14
21
571
Taiwan
0.882
17
23
553
Italy
0.874
24
23
541
Singapore
0.866
21
22
567
MEANS
.88 (.01)
19 (4.4)
22.3 (.96)
558 (13.7)
Baseline
.9 (.02)
43.7 (5.2)
33 (2.5)
538.4 (9.7)
But in some countries with high SES and high PIRLS scores, there is much less enthusiasm for reading (Hong Kong, Taiwan, Italy, Singapore).
"Test-prep" countries? PIRLS scores = true compentence?
Loh, E.K.Y. and Krashen, S. 2015. Patterns in PIRLS performance: The importance of liking to read, SES, and the effect of test prep. Asian Journal of Education and e-Learning 3(1).  http://ajouronline.com/index.php?journal=AJEEL

An allergy to SES and access to books? Fryer & Levitt (2004): SES accounts for 2/3 of gap, books in home accounts for the rest.
Fryer, R. & Levitt, S. 2004. Understanding the black-white test score gap in the first two years of school. The Review of Economics and Statistics 86(2): 447-464.

Meanwhile library funding is being cut in the US. School library cuts greater in high poverty areas (American Library Association, 2010. The State of America's Libraries; Kelley, M. 2010, Budget survey: Bottoming out? Library Journal, 2010.).

What about e-books? Major increase in the US: 28% of adults! http://www.pewinternet.org/2014/01/16/e-reading-rises-as-device-ownership-jumps/
Who owns e-book readers?
Income
tablet
e-reader
under 30,000
26%
14%
30 to 49,999
45%
35%
50 to 74,999
47%
42%
75,000+
65%
53%
Pew report. Adults age 18 or over.

The cost of e-books:  average best-seller - $10 to $15 http://www.howmuchisit.org/ebooks-cost/
To provide real access, e-books and e-book readers need to be A LOT cheaper.



Webinar: Presentation 2


Presentation 2 Krashen
1. Three stages to academic language develoipment
2. Can academic language proficiency be "learned"?
3. Grammar: not evil, just limited, and some suggestions 4. Nontarged comprehensible input
5. The role of writing

THREE STAGES to academic language development: compelling comprehensible input
ONE: Read alouds: overwhelming research support for vocabulary, listening comprehension, interest in books
TWO: free voluntary reading: the bridge between conversational and academic (specialized) language.

THREE: Academic Reading: COMPELLING, SELF-SELECTED, NARROW reading of academic texts of great interest to the reader Reading the main source, not the classroom: (Biber, 2006: classroom discourse is closer to conversational language than to academic language).
Can academic language proficiency be “learned”? The complexity of academic language. the amount of vocabulary. Has English for Academic Purposes ever worked?
GRAMMAR: Not evil, just hard to learn, hard to use
The limits of grammar: condiitions for the use of the Monitor 1. know the rule:
2. time to apply the rule
3. focus on form: think about correctness

Grammar teaching and error correction "work" when these conditions are met (Krashen, 2003: Explorations in Language Acquisition and Use: The Taipei Lectures: Heinemann).
Correction: Works of John Truscott
http://www.hss.nthu.edu.tw/~fl/faculty/eng/John.html
Two functions of grammar: As Monitor, as language appreciation (linguistics)
Suggestions
Natural Approach (college): as homework

TPRS: pop-up grammar Sheltered: As subject matter
NONTARGTED COMPREHENSIBLE INPUT: Krashen, S. 2013 The Case for Non-Targeted, Comprehensible Input. Journal of Bilingual Education Research & Instruction 15(1): 102-110.
  1. The natural order hypothesis: Should we aim at i+1?
  2. Hypothesis: Given enough comprehensible input, i+1 is covered.
  3. Problems with grammatical syllabus
  1. individualvariation
  2. few learn the grammar well
  3. hardtomakeinputinteresting/compellingandcomprehensible
4. Non-targeted input:
a. individualvariationokifinputcomprehensible
b. our only goal (hard enough): comprehensible/compelling input

WRITING
Increasing writing does not incurease writing proficiency: Writing is output, not input.
Recent evidence: Sari, R. IJFLT 2013 8(1)
COMPONENTS OF THE COMPOSING PROCESS
Writing makes you smarter, inspiration the result of writing, not the cause (Boice)
The CP: strategies to use writing to solve problems, keep your place
The classical composing process
I. Revision :
Neil Simon: “mediocre writers write, good writers rewrite.”
Vonnegut: "Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time"
II. Flexible Planning: “experienced writers refuse to leave on a trip with a map." Murray, 1984
Good writers plan, but not always formally, are willing to change their plans Overplanning: rigid plan – new ideas are an annoyance

III. Rereading: “I rise at first light and I start by rereading and editing everything I have written to the point I left off” (Hemingway, in Winokur, 1990, p. 247).
Jonathon Kellerman rereads to “segue into new material” (Perry, 1999, p. 178)

IV. Delay Editing: This draft may not be the final one!
Disturbs the flow, coming up with ideas. “Tony” (Perl, 1979): a concern with form “that actually inhibited the development of ideas. In none of his writing sessions did he ever write more than two sentences before he began to edit” (Perl, 1979, p. 324).
Peter Elbow: “Treat grammar as a matter of very late editorial correcting: never think about while you are writing. Pretend you have an editor who will fix everything for you, then don’t hire yourself for this job until the very end” (Elbow, 1973, p. 137).

Additional elements of the composing process
Incubation: "Composition is not enhanced by grim determination" (Frank Smith)
Problem-solving often requires “an interval free from conscious thought” to allow the free working of the subconscious mind (Wallas, 1926,)
Helmholz: After previous investigation, "in all directions," .. " happy ideas come unexpectedly without effort, like an inspiration ... they have never come to me when my mind was fatigued, or when I was at my working table ... They came particularly readily during the slow ascent of wooded hills on a sunny day" (Wallas, p. 91).
Tolle (1999): “All true artists, whether they know it or not, create from a place of no-mind, from inner stillness ... Even the great scientists have reported that their creative breakthroughs came a a time of mental quietude” (p. 20).
Poincare (1924) there must be a "preliminary period of conscious work which also precedes all fruitful unconscious labor.”
Incubation not allowed in school writing.
Daily Regular Writing
Rosellen Brown: writing “is a job, not a hobby ... you have to sit down and work, to schedule your time and stick to it ...” (Winokur, 1999, p. 188). Walker Percy “You've got to sit down and follow a schedule. Unless you do that, punch the time clock - you won't ever do anything” (Murray, 1990, p. 60).
Irving Wallace: vast majority of published authos keep, some semblance of regular daily hours..." (Wallace & Pear, 1971, pp. 518-9).

WHEN is variable: Michael Chabon:10 pm-4 am, Maya Angelou 6:30 am- 12:30, 1:30.
Time keepers: Irving Wallace (Wallace and Pear, 1971) (Balzac, Flaubert, Conrad, Maugham, Huxley, Hemingway).

Page counters: (Updike, West, Bradbury); Word counters: (Haley, Wambaugh) (Murray, 1990)
Source of inspiration is writing:
Stephen King: don’t “wait for the Muse. Your job is to make sure the muse knows where you are going to be every day from nine 'till noon or seven 'till three”

Susan Sontag: "Any productive writer learns that you can't wait for inspiration. That's the recipe for writer's block” (Brodie, 1997, p. 38), Madeleine L’Engle: "Inspiration usually comes during work, rather than before it”
Regular writing vs binging:
Woody Allen, "If you work only three to four hours per day, you become quite productive. It's the steadiness that counts" (Murray, 1990, p. 46).
Boice (1982): junior faculty members who had a “regular, moderate habit of writing,” were compared to those who were “binge” writers (“... more than ninety minutes of intensive, uninterrupted work)” over a six year period. The regular writers produced more than five times as much, and all got tenure or promotion. Only two binge writers got tenure.
The regular writers more relaxed: The binge writers showed three times as many signs of "blocking": When binge writers actually wrote, "they more commonly did nothing or very little (for example, recasting a first sentence or paragraph for an hour; staring at a blank screen).” Binge writers "were three times more likely to be rushing at their work ... three times more likely to put off scheduled writing in favor of "seemingly urgent, no more important activities.”
Why DRW helps: incubation between sessions, warming up
Flaubert: "I have the peculiarity of a camel - I find it difficult to stop once I get started and hard to start after I've been resting” (Murray, 1990) Gore Vidal: "I'm always reluctant to start work, and reluctant to stop."
If Charles Dickens missed a day of writing, "he needed a week of hard slog to get back into the flow" (Hughes, in Plimpton, 1999, p. 247).

Should we test writing?
1. writing form comes from reading
2. writing: quality of ideas = measure of creativity, hard to score 3. most time consuming, most expensive

Wednesday, August 5, 2015

Riskia's excellent suggestion and more evidence for the power of reading

Sent to the Jakarta Post, August 5

Rizkia's excellent letter (August 6) on sustained silent reading made some important points, including the wonderful suggestion that the government should provide reading materials for all schools, urban and rural, before sustained silent reading is implemented. 
I have two friendly amendments:
Rizkia cites research, including mine, showing that there is a connection between free reading and TEOFL performance. Readers of the Jakarta Post might be interested in knowing that current research done by Beniko Mason shows a clear connection between free reading and performance on another well-known test, the TOEIC.
Rizkia attributes the interest in sustained silent reading in the US with No Child Left Behind.  Sadly, neither No Child Left Behind nor the current Common Core have encouraged sustained silent reading.  In fact, the Common Core makes it very difficult to include any free voluntary reading in school.
Stephen Krashen
Professor Emeritus
University of Southern California

Rizkia's letter: http://www.thejakartapost.com/news/2015/08/06/your-letters-reading-and-character-building.html#sthash.uJpZlngR.dpuf

More Books, Better Libraries Can Fight 'Summer Loss'


Published in Education Week, Aug 5, 2015.  Vol. 34, Issue 37, Page 24

To the Editor:
In their recent Commentary, Bolgen Vargas and Sandra A. Parker argue that a longer school day will better prepare students for high-tech jobs and prevent summer learning loss.
Summer loss is mostly concentrated in students living in poverty. Studies going back to 1975 consistently show that the major cause of summer loss in literacy among students living in poverty is a lack of access to reading material.
The most obvious solution is to invest in public libraries filled with books and other kinds of material that students will read, as well as librarians who will help young readers find what is right for them.
We are living in a golden age of literature for young people. Let's take advantage of it.

Stephen Krashen
Professor Emeritus
Rossier School of Education
University of Southern California
http://www.edweek.org/ew/articles/2015/08/05/more-books-better-libraries-can-fight-summer.html